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Saint Saens Six Etudes for Left Hand Op. 135
Saint-SaĂ«nsâ etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-RĂ©maury de Serres, who had suffered an injury to her right hand. These etudes which were printed in 1913 were originally entitled âPetites piecesâ by Saint-SaĂ«ns in his manuscript and indeed the cycle, which the composer himself described as âcharmingâ and âamusingâ, lacks any rigour of an etude collection. Particularly the âBourrĂ©eâ quickly enjoyed great popularity.
The edition is based on the musical text from âSaint-SaĂ«ns â Ćuvres instrumentales complĂštesâ, volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire.
The edition is based on the musical text from âSaint-SaĂ«ns â Ćuvres instrumentales complĂštesâ, volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire.
$25.95
Saint Saens Six Etudes for Left Hand Op. 135â
$25.95
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Description
Saint-SaĂ«nsâ etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-RĂ©maury de Serres, who had suffered an injury to her right hand. These etudes which were printed in 1913 were originally entitled âPetites piecesâ by Saint-SaĂ«ns in his manuscript and indeed the cycle, which the composer himself described as âcharmingâ and âamusingâ, lacks any rigour of an etude collection. Particularly the âBourrĂ©eâ quickly enjoyed great popularity.
The edition is based on the musical text from âSaint-SaĂ«ns â Ćuvres instrumentales complĂštesâ, volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire.
The edition is based on the musical text from âSaint-SaĂ«ns â Ćuvres instrumentales complĂštesâ, volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire.













