đ Up to 70% Off Selected ItemsShop Sale
HomeStore
Froberger Keyboard and Organ Works from Copied Sources: Partita and Partita Movements, Part 1b
Froberger Keyboard and Organ Works from Copied Sources: Partita and Partita Movements, Part 1b
Johann Jacob Froberger (1617â67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Frobergerâs significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Frobergerâs biography is also included.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Frobergerâs biography is also included.
$26.93
Original: $76.95
-65%Froberger Keyboard and Organ Works from Copied Sources: Partita and Partita Movements, Part 1bâ
$76.95
$26.93Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Johann Jacob Froberger (1617â67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Frobergerâs significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Frobergerâs biography is also included.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Frobergerâs biography is also included.
