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Faure Trois Romances sans paroles for Piano op. 17
With this early cycle (1863/64), FaurĂ© follows in the footsteps of Mendelssohn's âLieder ohne Worteâ (Songs without Words) whilst at the same time enrolling into the French tradition of the âRomance sans parolesâ as penned by composers such as Thalberg, Kalkbrenner, Gounod or Bizet before him. It was not until 1880 that the pieces, the first of his piano works, appeared in print during the same year as the Ballade op. 19. The numerous reprints, transcriptions and arrangements during FaurĂ©âs lifetime testify to the great popularity of these works, which are also well-suited for piano lessons.
This Urtext edition takes all available sources into account, including the recording by FaurĂ© himself and an early four-hand version of No. 3. It is based on the musical text of the âĆuvres complĂštesâ of Gabriel FaurĂ© and also contains the first version for piano two-hands of the third âRomance sans parolesâ in the appendix.
This Urtext edition takes all available sources into account, including the recording by FaurĂ© himself and an early four-hand version of No. 3. It is based on the musical text of the âĆuvres complĂštesâ of Gabriel FaurĂ© and also contains the first version for piano two-hands of the third âRomance sans parolesâ in the appendix.
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-65%Faure Trois Romances sans paroles for Piano op. 17â
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Description
With this early cycle (1863/64), FaurĂ© follows in the footsteps of Mendelssohn's âLieder ohne Worteâ (Songs without Words) whilst at the same time enrolling into the French tradition of the âRomance sans parolesâ as penned by composers such as Thalberg, Kalkbrenner, Gounod or Bizet before him. It was not until 1880 that the pieces, the first of his piano works, appeared in print during the same year as the Ballade op. 19. The numerous reprints, transcriptions and arrangements during FaurĂ©âs lifetime testify to the great popularity of these works, which are also well-suited for piano lessons.
This Urtext edition takes all available sources into account, including the recording by FaurĂ© himself and an early four-hand version of No. 3. It is based on the musical text of the âĆuvres complĂštesâ of Gabriel FaurĂ© and also contains the first version for piano two-hands of the third âRomance sans parolesâ in the appendix.
This Urtext edition takes all available sources into account, including the recording by FaurĂ© himself and an early four-hand version of No. 3. It is based on the musical text of the âĆuvres complĂštesâ of Gabriel FaurĂ© and also contains the first version for piano two-hands of the third âRomance sans parolesâ in the appendix.
