
Schubert Fantasy in F Minor, D 940, Op. 103
- Published on the basis of the âNew Schubert Editionâ with access to Schubertâs drafts on the BĂ€renreiter website
- In a reader-friendly landscape format with Primo and Secondo on opposite pages and practical page turns
- With notes on performance practice of Schubertâs day (Ger/Eng) and relevant readings regarding interpretation, especially on Schubertâs notation of accents
Schubertâs Fantasy in F minor is one of the most important compositions in the piano four-hands repertoire. Its four thematically related movements are played one after the other without interruption. The work was composed between January and April 1828, the year of Schubertâs death. It is dedicated to his student Karoline von EsterhĂĄzy, with whom he is said to have had an unhappy love affair. Schubert did not live to see the publication of the fantasy in March 1829 by A. Diabelli & Co. in Vienna.
This Urtext edition is based on the authoritative musical text of the âNew Schubert Editionâ. An informative Foreword and valuable notes on the performance practice of Schubertâs time (including articulation, use of pedal, ornamentation) with a special focus on Schubertâs characteristic notation of accent markings of varying lengths introduce the fantasy. The Critical Commentary (Eng) lists relevant readings regarding interpretation. The new edition is published in a reader-friendly landscape format with parts for Primo and Secondo and practical page turns.
Schubertâs draftâs and fragments are accessible for download via the BĂ€renreiter website.
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Description
- Published on the basis of the âNew Schubert Editionâ with access to Schubertâs drafts on the BĂ€renreiter website
- In a reader-friendly landscape format with Primo and Secondo on opposite pages and practical page turns
- With notes on performance practice of Schubertâs day (Ger/Eng) and relevant readings regarding interpretation, especially on Schubertâs notation of accents
Schubertâs Fantasy in F minor is one of the most important compositions in the piano four-hands repertoire. Its four thematically related movements are played one after the other without interruption. The work was composed between January and April 1828, the year of Schubertâs death. It is dedicated to his student Karoline von EsterhĂĄzy, with whom he is said to have had an unhappy love affair. Schubert did not live to see the publication of the fantasy in March 1829 by A. Diabelli & Co. in Vienna.
This Urtext edition is based on the authoritative musical text of the âNew Schubert Editionâ. An informative Foreword and valuable notes on the performance practice of Schubertâs time (including articulation, use of pedal, ornamentation) with a special focus on Schubertâs characteristic notation of accent markings of varying lengths introduce the fantasy. The Critical Commentary (Eng) lists relevant readings regarding interpretation. The new edition is published in a reader-friendly landscape format with parts for Primo and Secondo and practical page turns.
Schubertâs draftâs and fragments are accessible for download via the BĂ€renreiter website.













