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Dvorak Symphony no. 8 in G major op. 88 - Study Score
With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of AntonĂn DvorĂĄk's music.
For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of DvorĂĄk's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraverâs copy, which was actually discovered in a trash bin at Novelloâs in 1964. Its title page bears the words âCopied from my original manuscriptâ in DvorĂĄkâs hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâs pen.
For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of DvorĂĄk's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraverâs copy, which was actually discovered in a trash bin at Novelloâs in 1964. Its title page bears the words âCopied from my original manuscriptâ in DvorĂĄkâs hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâs pen.
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Dvorak Symphony no. 8 in G major op. 88 - Study Scoreâ
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With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of AntonĂn DvorĂĄk's music.
For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of DvorĂĄk's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraverâs copy, which was actually discovered in a trash bin at Novelloâs in 1964. Its title page bears the words âCopied from my original manuscriptâ in DvorĂĄkâs hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâs pen.
For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of DvorĂĄk's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraverâs copy, which was actually discovered in a trash bin at Novelloâs in 1964. Its title page bears the words âCopied from my original manuscriptâ in DvorĂĄkâs hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâs pen.













