
Chopin Selected Preludes
Chopinās name is forevermore connected with the piano. He was a fabulous pianist, improviser, and, of course, composer with a very unique, personal style that is characterized by a sense of rubato, allusions to Polish folk music, grace and melancholy contrasted by virtuosity, pride and herioc gestures. No other cycle of works wields such an appeal as his "PrĆ©ludes op. 28". He completed them shortly before his 29th birthday, while spending a winter in Mallorca with George Sand and her children.
This collection of nine "PrĆ©ludes" appears as part of a series of popular works from the BƤrenreiter catalogue celebrating the 100th anniversary of the publishing house. The complete Urtext edition of the "PrĆ©ludes op. 28", which includes the "PrĆ©lude op. 45" (BA09610), offers Chopin's own fingerings and those of his pupils as well as supplementary historically-informed fingerings and notes on historical performance practice, specifically on the use of the pedal, ornamentation, "finger pedalingā, latent polyphony (cantilena), dynamics, rubato and tempo.
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Chopinās name is forevermore connected with the piano. He was a fabulous pianist, improviser, and, of course, composer with a very unique, personal style that is characterized by a sense of rubato, allusions to Polish folk music, grace and melancholy contrasted by virtuosity, pride and herioc gestures. No other cycle of works wields such an appeal as his "PrĆ©ludes op. 28". He completed them shortly before his 29th birthday, while spending a winter in Mallorca with George Sand and her children.
This collection of nine "PrĆ©ludes" appears as part of a series of popular works from the BƤrenreiter catalogue celebrating the 100th anniversary of the publishing house. The complete Urtext edition of the "PrĆ©ludes op. 28", which includes the "PrĆ©lude op. 45" (BA09610), offers Chopin's own fingerings and those of his pupils as well as supplementary historically-informed fingerings and notes on historical performance practice, specifically on the use of the pedal, ornamentation, "finger pedalingā, latent polyphony (cantilena), dynamics, rubato and tempo.
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